Jenn Shapland, Thin Skin & Sasha West, How to Abandon Ship

This will be an in-store event and live streamed to Zoom, please register for Zoom here.

Order Thin Skin: Essays (paperback, $19) from CW online here and How To Abandon Ship (paperback, $17.95) online here, or call the store to order (505) 988-4226

About Thin Skin

For Jenn Shapland, the barrier between herself and the world is porous; she was even diagnosed with extreme dermatologic sensitivity—thin skin.  

Recognizing how deeply vulnerable we all are to our surroundings, she becomes aware of the impacts our tiniest choices have on people, places, and species far away. She can't stop seeing the ways we are enmeshed and entangled with everyone else on the planet. Despite our attempts to cordon ourselves off from risk, our boundaries are permeable.  

Weaving together historical research, interviews, and her everyday life in New Mexico, Shapland probes the lines between self and work, human and animal, need and desire. She traces the legacies of nuclear weapons development on Native land, unable to let go of her search for contamination until it bleeds out into her own family’s medical history. She questions the toxic myth of white womanhood and the fear of traveling alone that she’s been made to feel since girlhood. And she explores her desire to build a creative life as a queer woman, asking whether such a thing as a meaningful life is possible under capitalism.  

About Jenn Shapland

Jenn Shapland's first book, My Autobiography of Carson McCullers, was a finalist for the National Book Award and won a Lambda Literary Award and a Christian Gauss Award, among other honors; it has been translated into Spanish, French, and Polish. Shapland has a PhD in English from the University of Texas at Austin. She lives in Santa Fe, New Mexico, where she works as an archivist for a visual artist.

About How To Abandon Ship

In How to Abandon Ship, Sasha West harnesses poetry as a vessel to ferry the inconceivable, to wreck upon the shores of what we’ve known thus far. Assessing the accelerating emergencies of climate change amid the West’s self-cannibalizing capitalism, the speaker of these poems wrestles with the state of the world and its compounding catastrophes as a new parent. That fierce love becomes her grappling hook into the glut of information and epochal view of time and space we must scale to leave our children a habitable, equitable planet. To approach a perspective too vast for the individual mind, West cycles through personae which collectively metabolize the strands of the past, and the foundational myths of Western civilization, that constructed this looming future. West speaks as a contemporary mother and an ancient proxy, the unheeded Greek oracle Cassandra; gives voice to fossil fuels; and imagines grown children, real and mythological, surviving beyond a world our generation preemptively mourns. “I have taken / my voice past the threshold, past / the lintel,” Cassandra addresses readers and, more broadly, a paralyzed and apathetic public. “I am speaking to you now from / inside the wildfire while it burns the hair / from my body: I don’t expect you will listen.” But while making space for climate grief, holding our faces up to the ever-expanding sinkhole of earthly loss, West liberates us unto joy, enjoining us to remake the narratives that drive our culture, our consumption, and our relationship to the non-human world. Cassandra’s daughter rides the ship as it sinks, declaring, “I am being shaped / into something new, waiting, / listening to birds give out song / before / the songs give out.” And Cassandra’s granddaughter endures to remind us that, when the sails buckle, we need not drown if we choose to swim. “When you were still alive and apt to get weepy over what you saw as rubbled landscapes, I was impatient. Only a tourist fetishizes the ground where tragedy occurred…. What needs to be done, we do. We act in tiny increments.” These splinters compose the timeless story of humanity: we love each other because we cannot help it; we fail, and fail repeatedly; we go on.

About Sasha West

Sasha West is the author of How to Abandon Ship and Failure and I Bury the Body, winner of the National Poetry Series, a Texas Institute of Letters award, and a Bread Loaf Writers’ Conference Fellowship. Recent poems have appeared in American Poetry Review, Ecotone, Georgia Review, and the anthology The Long Devotion: Poets Writing Motherhood. As part of eco-arts collaborative Hammonds + West, her multi-media shows with visual artist Hollis Hammonds have been exhibited at the Columbus College of Art and Design, Texas A&M, ArtPrize 2023 Michigan, and elsewhere. She is an Associate Professor of Creative Writing at St. Edward’s University, where she runs the Environmental Humanities program.